The dark, bright, and desert hues create a blazing-hot world readers can almost step right into. Showcasing the fun to be had in a spare world, this book is just what many of us need right now.—Kirkus Reviews (starred review)
In her picture book debut, Clarke’s lines sing with sound and rhythm, evoking the “shicketty shake” sound of the bike on sand hills. Street artist Rudd’s textured paint-and-cardboard collages create a strong sense of a place (the blaze and shadow of the desert) and the people who live there...Without minimizing the clear references to economic and racial struggle, the words and images in this snapshot story pulse with resourceful ingenuity, joyful exuberance, and layered meanings.—Publishers Weekly (starred review)
There are small mysteries and deep shadows, figurative as well as literal, that stretch among Rudd’s provocative paint-on-corrugated packing box illustrations in this Australian import...With every visual detail a poignant counterpoint to the simple storyline, there are depths here for older children to plumb.—Bulletin of the Center for Children's Books (starred review)
The story by itself is superb, but the artwork elevates it further. Rudd’s street art approach is raw yet refined as nearly every brushstroke is visible on the repurposed cardboard backgrounds. Much like Javaka Steptoe’s Radiant Child or Jane Yolen’s What To Do with a Box, the format shows the incredible creativity of young minds combined with the constraints of poverty...An excellent story and conversation starter.—School Library Journal (starred review)Clarke’s spare, mellifluous language dances across the pages, full of vivid imagery and hyphenated turns of poetry (“out in the no-go desert, under the stretching-out sky”), all of it hand- lettered on Rudd’s rough, tactile paintings...These illustration choices reflect the book’s very theme—exposing the harsh reality of life that some people face while acknowledging the resilience that comes from homemade joy.—The Horn Book (starred review)
It has a bent bucket seat, bashed tin-can handlebars, and wood-cut wheels — and riding the patchwork bike that you and your crazy brothers made is the best fun in the whole village.
When you live in a village at the edge of the no-go desert, you need to make your own fun. That's when you and your brothers get inventive and build a bike from scratch, using everyday items like an old milk pot (maybe Mum is still using it, maybe not) and a used flour sack. You can even make a license plate from bark if you want. The end result is a spectacular bike, perfect for whooping and laughing as you bumpetty bump over sand hills, past your fed-up mum and right through your mud-for-walls home. A joyous story by multi-award-winning author Maxine Beneba Clarke, beautifully illustrated by street artist Van Thanh Rudd.